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"The idea behind warming up is to prepare the muscles for physical activity, You want to improve flexibility, strength, extensibility of the tendons and blood flow to the muscles. It should definitely be part of the preparation to any sport." Bodybuilders are at higher risk for soft-tissue injuries/traumas than most other athletes because of the heavy loads they place on their muscles. Kibbler says bodybuilders should warm up the entire body, not just the muscle to be worked, to maximize the benefits of weight training and minimize the risk of injury. When weight training, your warm-up should include: Light, aerobic activity -- jog in place, ride a stationary bike, use a stair climber or treadmill -- for 4-7 minutes. Static stretches -- for each of the muscle groups, especially those about to be worked.

"The idea behind warming up is to prepare the muscles for physical activity, You want to improve flexibility, strength, extensibility of the tendons and blood flow to the muscles. It should definitely be part of the preparation to any sport." Bodybuilders are at higher risk for soft-tissue injuries/traumas than most other athletes because of the heavy loads they place on their muscles. Kibbler says bodybuilders should warm up the entire body, not just the muscle to be worked, to maximize the benefits of weight training and minimize the risk of injury. When weight training, your warm-up should include: Light, aerobic activity -- jog in place, ride a stationary bike, use a stair climber or treadmill -- for 4-7 minutes. Static stretches -- for each of the muscle groups, especially those about to be worked.

The original lyrics are deconstructed and reassembled at will by a rapper riding shotgun on the groove. Fitness is a good thing to have in your life. The instructor--a striking woman dressed in an oversized black T-shirt and baggy black sweatpants, with a shock of braids tied up overhead--glides effortlessly to the right in an intricate sequence of hip-hop dance steps. The 30-odd students behind her mimic each move to a T. “Turn it, turn it!” she yells, and everyone reverses field. “Grapevine! Do it!” Only by screaming into a handheld mike can she momentarily raise her voice above the music. “Grapevine, grapevine! One more, one more! Five, six, seven . . . Whe-e-e-e-e-e-e-w! All right!” After 10 minutes of this, the instructor stops the tape. By now her students are sweating rivers and sucking wind, but they appear to be having the time of their life.

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